As I get ready to head to La Casa de Maria for the California Poets in the Schools (CPITS) Symposium, people might ask, “Why do you want to moderate a panel on ‘The Pedagogy of Jack Grapes?’ or ‘What’s a ‘pedagogy?’ or ‘Do Jack Grapes look at all like Jacaranda?’”

Here's Jack Grapes, poet and scholar.
I put in the proposal for this panel for three reasons: First, when I talk about teaching poetry, I often mention something the Los Angeles poet Jack Grapes said, and some other poet usually says, “Oh, yeah. I took one of Jack’s workshops.” This panel is a chance to get together with three other teaching artists who have studied with Jack and to articulate what we’ve learned from him that has kept us going.
Second, Jack Grapes worked hard for many years to develop his method of writing. His theories prompt discussion. Since he is a California poet, the CPITS Symposium is as good a place as to discuss what those theories mean.
Third, as we approach a decade of No Child Left Behind and California Language Arts Standards–neither of which made significant claims for creative writing in the curriculum–it’s a good time to consider a teaching system that continues to motivate writers.
Much of Jack Grapes teaching today can be found in Method Writing. It’s a detailed, lengthy book that defies summary in a blogpost, but watch me try: Grapes’ method evokes from students the “tonal dynamics” of their inner voice.
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